OPUS 4

Trois siècles de vie théâtrale ; un répertoire de plus de 3000 titres ; des ouvrages qui rayonnent dans le monde entier...

Three centuries of theatre life, over 3000 titles in the repertoire, works of art being played all around the world… Let’s look at the Opéra Comique’s history from women’s point of view. Our 2019, 2020 and 2021 seminars have enabled us to get a grasp of the diversity of our profiles, experiences and issues. We shall continue to discover and/or rehabilitate female writers, composers, interpreters, audiences, administrators and fictional characters who have shaped or who are shaping French operatic life

Since 2008 the seminars of the Opéra Comique have studied opera from various perspectives, fostering transdisciplinary exchanges and international views with two lines of research in mind: firstly, the theatre Troupe and staff, secondly, lyrical economy and creation trends. Two projects benefit from an annual renewal: Women’s visibility in lyrical history and Ecology in performing arts. Salle

In collaboration with the Institut de recherche en musicologie (UMR 8223)

Free admission on reservation | Salle Bizet

People with reduced mobility

16 seats are dedicated to people with reduced mobility, on reservation at the box office or by phone. Access to the lift is located 5 rue Favart
+33 1 70 23 01 44 | accessibilite@opera-comique.com

31 January 2020

Colloque : Les femmes de l'Opéra Comique

Nous vous invitons à rejoindre la colloque sur les femmes de l'Opéra Comique.

10 March 2021

Les podcasts du colloque Les femmes de l'Opéra Comique n°2

Reprendre l’histoire de l’Opéra Comique du point de vue des femmes, c'est l'ambition de ce rendez-vous désormais annuel réalisé en collaboration avec l'Institut de recherche en musicologie.

Women at the Opéra Comique

February 18 to 19, 2020

Since 2008 the seminars of the Opéra Comique have surveyed opera from various perspectives, fostering transdisciplinary exchanges and international views with two lines of research in mind: firstly, the theatre troupe and staff, secondly, lyrical economy and creation trends.