Fortunio

Fortunio

André Messager

COMÉDIE LYRIQUE in four acts, 1907.
Libretto by Gaston Arman de Caillavet and Robert de Flers based on Le Chandelier by Alfred de Musset

Presentation of the work 30 minutes prior to each performance.

Musical direction, Louis Langrée
Stage direction, Denis Podalydès

With Joseph Kaiser, Virgine Pochon, Jean-Maire Frémeau, Jean-Sébastien Bou, Jean-François Lapointe, Philippe Talbot, Jean Teitgen, Sarah Jouffroy, Jérôme Varnier, Éric Martin-Bonnet, Clémentine Margaine

chœur de chambre les éléments
Orchestre de Paris

 

Presentation

How to preserve one’s ideal to the test of life? This question, which haunted Alfred de Musset, pervades his drama in which it is answered with sincerity and humor. This is why his oeuvre is so modern today. Soft-hearted Fortunio, who is recruited by two lovers to divert a husband’s jealousy, will make youth prevail in the heart of his seductress. After the success of his stunning staging of Fantasio at the Comédie-Française, Denis Podalydès, together with Louis Langrée, carries on the exploration of a world in halftones.


With the support of:

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Cast

Musical direction, Louis Langrée
Stage direction, Denis Podalydès
Scenery, Eric Ruf
Costumes, Christian Lacroix
Lighting, Stéphanie Daniel
Musical assistant, Nicolas Kruger
Stage director’s artistic collaborator, Emmanuel Bourdieu
Stage director’s second artistic collaborator, Laurent Podalydès
Set assistant, Dominique Schmitt
Choral director, Nathalie Steinberg

Fortunio, Joseph Kaiser
Jacqueline, Virginie Pochon
Maître André, Jean-Marie Frémeau
Clavaroche, Jean-Sébastien Bou
Landry, Jean-François Lapointe
Lieutenant d’Azincourt, Philippe Talbot
Lieutenant de Verbois, Jean Teitgen
Madelon, Sarah Jouffroy
Maître Subtil, Jérôme Varnier
Guillaume, Eric Martin-Bonnet
Gertrude, Clémentine Margaine

Chœur les éléments
Orchestre de Paris

Production, Opéra Comique
Co-production, Palazzetto Bru Zane – Centre de musique romantique française


With the support of:

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Synopsis

Act I
On a Sunday morning outside the church of a provincial town those who do not attend mass are strolling around. Among the bowlers is Landry, a young clerk who is a witty merrymaker. He invites the strollers to drink a toast to his boss Maître André, a graybeard married to Jacqueline, a lovely and honorable woman.
Maître Subtil and his nephew Fortunio arrive from the country. The old uncle wants the young man to work in Maître André’s office and leaves him in his cousin Landry’s care. Fortunio dreams of love and is afraid of life but Landry intends to teach him how to take advantage of both.
Among the soldiers wandering in the square, captain Clavaroche, a newcomer and a lady-killer, enquires about women to seduce. He sets his heart on Jacqueline, whose virtue is matched by her beauty, and who is just coming from mass. Under the pretext of resistance, Jacqueline owns a dull marital life before introducing her husband to the womanizer. Using flattery, the captain gains the notary’s favor and is invited for dinner. Dazzled by Jacqueline, Fortunio decides to become a clerk.

Act II
A few days later in the early hours, Maître André has difficulties waking up his wife and more so getting explanations about the man who came into her bedroom by night according to his clerk Guillaume. On their wedding anniversary, Jacqueline heaps reproaches on him, feigns despair and fools him into believing he should not be jealous.
No sooner has the husband gone than Clavaroche steps out of the closet. How could they defend their romance? Clavaroche suggests to Jacqueline that she should find a decoy, namely to let a young man court her in return for some flirtation so that André’s suspicion is diverted on to the innocent man.
Among the clerks who come to compliment Jacqueline, her maid advises her to choose blushing Fortunio. In private, he unveils his shyness and spiritedly promises Jacqueline unlimited devotion, especially when he understands that she needs him.

Act III
While the clerks are discussing Jacqueline’s alleged infidelities, Clavaroche can speak to her before Maître André arrives for dinner.
The husband introduces Jacqueline to Fortunio, whom he has accepted to escort his wife so as to show he is not jealous. Everything is fine except that Jacqueline is dreamy and while toasting, Fortunio’s song sows confusion in her mind.
While husband and lover are playing cards, the woman tenderly questions her young sweetheart and welcomes his passion.
Clavaroche tells Jacqueline that the notary, whose jealousy is rekindled by a new account from Guillaume, will station armed men that evening under her window. Luckily, he will be among them and plans to trap Fortunio through a false date. But the latter overheard everything.

Act IV
Jacqueline wants to save Fortunio as he tells her that he will throw himself into the ambush from despair of being manipulated. In the face of his determination, she admits that only him inspired her with true love, then she must conceal him hastily.
The sun rises and Maître André, followed by suspicious Clavaroche, comes in to offer his apologies. He discharges the watch and dismisses Guillaume for slander. Holding a candlestick to light their way, the husband and the lover bid good night to Jacqueline and leave her alone… with Fortunio!


With the support of:

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