Benoît Hartoin


Rousset at the Paris Conservatoire.

He graduated in 2000, and since then his interest for the vocal repertoire has lead him to perform as a repetiteur, continuo player or musical assistant with La Grande Ecurie (JC. Malgoire), Les Arts Florissants (W. Christie) and Le Concert d’Astrée (E. Haïm), in numerous opera productions at the Opera de Paris (Les Indes Galantes, Hercules, Idomeneo, Giulio Cesare and Hippolyte et Aricie), the Théâtre des Champs-Elysées (Serse, Médée, Mitridate, Il Ritorno d’Ulisse), the Opéra-Comique (Atys and Platée), the opera houses of Lille, Tourcoing, Caen, Dijon, Strasbourg and Lyon, the opera houses of Zurich (Les Indes Galantes, Orlando), the Bolschoi Theater (Don Giovanni), the Theater an der Wien (Semele), the Wiener Staatsoper (Ariodante), or the Staatsoper Berlin (Hippolyte et Aricie under sir Simon Rattle).

He’s been collaborating with the Glyndebourne Festival since 2005 (Jules César, L’incoronazione di Poppea, Hippolyte et Aricie, Hipermestra), the Aix-en-Provence Festival since 2004 (Hercules, Don Giovanni, Il trionfo del Tempo), and in 2018, he made his debut at the Salzburg Festival (Poppea)

He also had the opportunity to play with CBSO, the orchestras of Lyon and Paris Opera, l’Orquesta Nacional de España, the Orchestra of the Age of Enlightenment, the Freiburger Barock Orchester, La Scintilla Zürich, the Hessischer Rundfunk Sinfonie Orchester, l’Orchestre Philharmonique de Radio-France, the Berliner and the Wiener Philharmoniker, MusicaEterna, under T. Currentzis, L. Langrée, etc.