Marin Marais


Salle Favart

from 26 April
to 7 May 2017


26 April 2017 8.00 pm

28 April 2017 8.00 pm

30 April 2017 3.00 pm

2 May 2017 8.00 pm

4 May 2017 8.00 pm

6 May 2017 8.00 pm

All dates


0 825 01 01 23 (0,15 €/min)

Production recorded

broadcast by Mezzo Live HD and Culturebox in direct on 6 May & by France Musique on 21 May


€ 135, 125, 97, 75, 50, 30, 16, 6


25 March2017

The Alcione troupe is born

In Montreuil the stage rehearsals are at their height. Music gave way to staging. The music stands and the scores have vanished. This week the singers become actors working on acting, experimenting on exchanges, testing situations or tuning up....

16 March2017

02 February2017

Marianne Crebassa and Lea Desandre honored at the 2017 Victoires de la Musique Classique

Our congratulations to Marianne Crebassa and Lea Desandre who were honored as "opera artist" and "opera artist revelation" respectively at the 2017 Victoires de la Musique Classique!...

Jordi Savall, who made quite an impression with his soundtrack of the film Tous les matins du monde, conducts his first opera. Louis Moaty and Raphaëlle Boitel summon the circus arts to stage the poetry of this story of thwarted love.

Tragédie lyrique in five acts to a libretto by Antoine Houdar de La Motte premiered at the Académie royale de musique in 1706.

Men believe they are toys of the gods yet they are mainly the victims of earthly passions like jealousy and lust. Ceyx, the peaceful king of Trachis, sparks off a fatal process when he decides to marry Alcione, the daughter of the god of the winds. The destruction of the palace, the appearance of Hell, a storm, a shipwreck: the two lovers will be spared nothing by the occult powers. 
The subject was conducive to scenic enchantments but Marais utilized it to give the orchestra a new evocative power. From Vivaldi to Rameau and Mozart, the eighteenth century unfolded the descriptive power of music from him. However, the work was no longer performed in Paris as soon as 1771! 
As the great promoter of the viol, the Baroque instrument par excellence, and of Marin Marais, whom he helped to publicize through the soundtrack of the film Tous les matins du monde, Jordi Savall reveals the poetic power of Alcione. Together with Raphaëlle Boitel, Louise Moaty displays its magic through a dialogue between theatrical machinery, the rigging of ships and the circus arts.

Music direction, Jordi Savall
Staging, Louise Moaty
Choreography, Raphaëlle Boitel

With Lea Desandre, Cyril Auvity, Marc Mauillon, Lisandro Abadie, Antonio Abete, Hasnaa Bennani, Hanna Bayodi-Hirt

Choir and orchestra, Le Concert des Nations


Alcione, the daughter of Aeolus, king of the winds, seems to be very happy. She is to marry Ceix, king of Trachis, who loves her. But three people oppose their happiness: Peleus, Ceix’s best friend, who’s in love with Alcione, the wizard Phorbas, who feels deprived of his right to the throne once occupied by his ancestors, and the magician Ismena. They all decide to hinder the wedding of the two lovers.


In detail


Assembled on a mountain, the Rivers and the Naiads attend the musical tournament between Apollo and Pan. As the god of Nature and protector of shepherds, Pan honors war while Apollo, the god of the Arts, praises peace under the gaze of enthusiastic shepherds. Apollo decides to tell them the story of the Halcyons, the guarantors for maritime peace.

Act I

King Ceyx is to marry Alcyone, daughter to Aeolus who reigns over the winds. But three protagonists are against their happiness. They are Peleus, Ceyx's best friend in love with Alcyone, Phorbas who considers himself wronged from the throne once occupied by his ancestors, and Ismena the magician. As the High Priest is to unite them, the Furies wreck the palace.

Acts II and III
In despair, Ceyx confides in Ismena and Phorbas. Phorbas claims he can predict Ceyx's future and tells him he must consult Apollo on the island of Claros so as not to lose Alcyone. In the port, ready to embark, Ceyx entrusts Alcyone in tears to his friend Peleus, troubled by his conscience.

Acts IV and V

Finding shelter in the temple to Juno, Alcyone falls asleep. In a nightmare, she sees Ceyx being swept along by a violent storm. Peleus is devastated by Alcyone's grief and confesses his fault to her. While Phosphorus, Ceyx's father, announces the return of his son, Peleus chooses to kill himself. But on discovering Ceyx's corpse, Alcyone takes her own life. Moved by so much love, Neptune decides to bring them back to life and entrust them and their children the Halcyons with the power to calm tempests.



Music directionJordi Savall

StagingLouise Moaty

ChoreographyRaphaëlle Boitel

ScenographyTristan Baudoin, Louise Moaty

CostumesAlain Blanchot

LightsArnaud Lavisse

Circus managerNicolas Lourdelle

Staging assistantFlorence Beillacou

Choreography assistantMaud Payen

Scenography assistantMarie Hervé

Vocal coachFlorian Carré

Choreography collaboratorGudrun Skamletz, Caroline Ducrest

Choir masterLluis Vilamajo

AlcioneLea Desandre

CeixCyril Auvity

PeléeMarc Mauillon

Pan, PhorbasLisandro Abadie

Tmole, Grand-Prêtre /NeptuneAntonio Abete

Ismène, 1ère MateloteHasnaa Bennani

Bergère, 2ème Matelote, PrêtresseHanna Bayodi-Hirt

Apollon/Le SommeilSebastian Monti

Doris, confidente d’AlcioneMaud Gnidzaz

Céphise, confidente d’AlcioneLise Viricel

AegléMaria Chiara Gallo

Un MatelotYannis François

Phosphore, père de CeixGabriel Jublin

Suivant de CeixBenoit-Joseph Meier

Dancers and circus et circassiansPauline Journe, Tarek Aitmeddour, Alba Faivre, Cyril Combes, Emily Zuckerman, Valentin Bellot, Mikael Fau, Maud Payen

Choir and orchestraLe Concert des Nations

ProductionOpéra Comique

Co-productionGran Teatre del Liceu in Barcelona

Associate co-productionChâteau de Versailles Spectacles, Théâtre de Caen

Associate partnerLa Brèche – Pôle National des Arts du Cirque de Normandie / Cherbourg-en-Cotentin

A special thanks toby les Pépinières européennes pour jeunes artistes et Europe Créative

Before the show

  • Before the show

- Presentation of the production 45 minutes before curtain up, avant-foyer. Free of charge, on the day of the performance

- Sing Alcione 45 minutes before curtain up, salle Bizet. Free of charge, on the day of the performance.
With Christophe Grapperon on the 26 April, 2 and 4 May
Jeanne Dambreville on the 28 et 31 April
Geneviève Boulestreau on the 6 and 7 May

  • After the show

Meet the artists of the production on Saturday 6 May at 6 pm. Free admission upon reservation >


Running time

3 hours, including intermission

Doors open Tragédie lyrique in 5 acts 180 min End of the event

Captation et partenariat média

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Activity related

A Lesson with Christophe Grapperon

from 21 May to 3 December 2017

Whole Agenda